concrete poetics: outer rhymes.

At the intersection of art, craft, and design, Concrete Poetics collection of hand-cast cement sculptural furniture and accessories streamlines visually intriguing and dynamic forms juxtaposing the density of the material.

Raw, brutal, visceral, and striking optical qualities are embedded in the ensemble of modular candle holders, bowls, vessels, side tables, and stools, alluding to ceremonies, rituals, and celebrations.

The inspiration comes within the process. The shapes, patterns, and arrangements are created intuitively, informed by nature, land, and sea, to then later be articulated, making them suitable for casting. Ultimately exhilarated by the Wabi-Wabi sensibility, the urban and industrial surroundings, the final result is very organic, embracing the irregularity and the imperfection that makes every piece exceptional.

Each piece that emerges from this world is hand-cast to order, grounded in process and presence. The work speaks through weight and surface, shadow and rhythm. At its core is a belief in the sculptural object as both tool and companion: something to sit with, to place upon, to move around, to live beside.

CONCRETE PARALLAX

What begins as repetition and layering evolves into visual tension—patterns emerge, shift, and dissolve with every angle. This is the essence of concrete parallax, where each form changes depending on how it is approached. Like landforms carved by erosion or ruins shaped by time, these objects retain traces of their own becoming.